ART006: Week 8, 11/19 Readings

19 11 2008

Palmer, “Structuralism and Post-Structuralism for Beginners: Saussere”

  • Plato argued that it was impossible to name everything, only the essences which are “real” for Plato, not just abstractions
  • Words name ideas not things
  • Saussere: what defines a word is the relation which it stands in to other words in the system
  • Different languages produce different concepts
  • Ready-made ideas do not exist before words
  • Signified (concept) | Signifier (sound image)
  • Signs are arbitrary, there is no natural connection between the signifier and the signified
  • Onomatapoeia: words that imitate sounds in Nature
  • Plato felt that all words emulated reality
  • Saussere: the conventions between signifier and signified are arbitrary also
  • Language is the whole system, Speech is the actual act of sounds
  • Things are defined by what they are not
  • 2 studies of language: 1) Synchronic: the study of all relations among the different parts of a linguistic system at any given moment in time and 2) Diachronic: the study of the evolution of a language and its history’s impact on linguistic events
  • Associative Relations (Paradigms) and Syntagms
  • The mind is a system of operations that generate structures of similarity and differentiation in terms of syntagmatic and paradigmatic relationships
  • Language cannot be interfered with by individuals

Palmer, “Structuralism and Post-Structuralism for Beginners: Barthes”

  • Essentialism is a belief in the priority of essences, of Platonic form
  • Sartre: existence precedes essence
  • Barthes: Essentialism is a bourgeoisie ideology attempting to form reality
  • There are no unities, only pluralities
  • The tendency of dominant forces to define reality in such a way that their way is the “natural way”
  • The world of fashion as a system of signs
  • The food industry as a semiological system
  • Myth is a form of discourse that tries to make cultural norms appear as facts of nature
  • Only revolutionary language escapes myth
  • Text as a “linguistic spectacle”
  • No text can have only one meaning, the more meanings the better
  • Literature is the critique of meaning

Barthes, “Myth Today”

  • Myth is a type of speech, a system of communication, a form
  • Everything can be a myth provided it is conveyed in discourse
  • Social usage added to pure matter
  • Objects are not inevitably a source of suggestiveness for myth
  • Human history converts reality to speech
  • Message through odes of representation
  • Myth can be defined neither by its object nor by its material
  • Mythical speech is made of a material which has already been worked on so as to make it suitable for communication
  • Myth is a semiological system
  • Semiology deals with meaning and value, forms, significations apart from their content
  • All criticism must consent to the ascesis, to the artifice of analysis
  • The more a system is specifically defined in its forms, the more amenable it is to historical criticism
  • Semiology postulates a relation between three terms: a signifier, the signified and the sign
  • Myth as a 2nd order semiological system
  • Myth has 2 semiological systems: 1) a linguistic system and 2) myth as a meta-language

Barthes, “Empire of Signs”

  • The dinner tray as a definition of a painting, but subject to recomposition due to eating
  • By composing your choices you make what you eat
  • Rice as a clump of a whole yet made up of much smaller constituent pieces
  • Soup as aquatic, an elixir
  • Japanese food as a “written” food
  • Writing as the act which unites the same labor what could not be apprehended together in the mere flat space of representation
  • The smallness of the food as emblematic of clarity of purpose
  • The chopsticks as metaphor for purpose
  • Subiyaki stew as an event, a minor odyssey, the Twilight of the Raw
  • Japanese cooking as tutelage of Rawness